Call for submissions, May Screening!

 

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The audience photos courtesy of Film Unbound

We are on the hunt for the best short films!

We just had a fantastic first PSFN of the year at PPMtv, with over 200+ submission we had a great line-up of six films and two behind-the-scenes.  Over 100 people gathered to share an evening of independent cinema on a cold and icy February night and now we are preparing for the next Short Film Night.  So, what are you waiting for? We need your film, same criteria as always. Anything under 25 minutes in length; any style, any genre, any theme.

With a huge jump in the number of submissions we receive, the competition is now fierce – so make sure your film is top notch before you send it in.  If you’ve submitted before, don’t worry, your film is still in the running for this event – so please don’t submit the same film twice.

February Q & As

February Q & As photos courtesy of Film Unbound

The next Portsmouth Short Film Night is happening on Thursday, May 29th at Portsmouth Public Library, Portsmouth, NH.  It will start at 7pm, and the line-up….well that’s down to you – isn’t it? Keep an eye on this blog or our facebook page for more information.

So spread the word, tell your filmmaker friends, dig out an old film, finish that edit of your current project or pick up your camera and see what you can film now.

THE DEADLINE IS APRIL 30TH, so go ahead – submit your film using our handy form!

We can’t wait to watch them all.

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About Catherine Stewart

Catherine, a native of Scotland, is an experienced writer and director for both stage and screen as well as working as a facilitator; teaching areas including dramaturgy, devising, adaptation and acting for stage and screen. She graduated from the prestigious Bretton Hall College in 2008 with a B.A.(Hons) in Theatre and Performance, and as a recipient of the White Rose Scholarship for Enterprise. With her directorial roots in theatre she approaches film not as a set of shots and segments but as a whole piece; working in collaboration as the camera rolls with her colleagues in front of and behind the lense. In both her writing and directing she uses her experience of both fictional and factual film making to create works that tread the thin line between both disciplines. And with a tendency towards magical realism, fantasy and a certain penchant for sci-fi she always seeks to capture the thaumaturgy of real life (reality) in her work.

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