Here’s what’s coming to Portsmouth Short Film Night on Friday 13th December at White Heron Tea & Coffee at 601 Islington Street, Portsmouth, NH! Continue reading →

We asked the filmmakers for the upcoming PSFN their thoughts on filmmaking, screenings and their life as a creators. Here’s what some of the filmmakers had to say.

Why do you make short films? What can a short do that a feature can’t?

I make short films because it can be fun to move quickly and see the results right away. With this film I was able to keep the whole thing in my head which made the production faster and more fun. I also shot, edited, wrote temporary music for, and did most of the sound design for the film in the space of a month, which is something that just can’t happen with a feature. It was also fun to be able to handle so many aspects of the production myself, because the film was so small and simple. Short films can often have just as powerful a message as a feature film, and often the short format forces you to be more careful with each shot. You have to convey a lot of information in a short time, and I think those constraints help to make every shot, every movement, and every word meaningful. Short films also have the potential to reach more people, as it is easy to sit down and watch them on any device without having to dedicate a large amount of time. I don’t think it is true that people have shorter attention spans than they used to. People have been saying that for a very long time. I do think that if your film is unknown and is feature length, it is harder to get people in the door. If you aren’t already a big name that will draw people in, shorts are a great way to “get your foot in the door”.  Jack Garrett, director – Santa Always Checks Twice

The way we consume media has changed how every artist promotes and distributes their work. Filmmakers may be most  effected by the internet and social media because this technology has drastically changed the viewing habits of audiences. More and more, people want a shorter viewing experience, but expect the content to be increasingly compelling. Also, due to the amount of real-life footage found online, it’s made audiences connect more to stories and characters that are real, rather than fictional. This has been incredibly influential on my own work, because it has pushed me from narrative films to documentary films. I like to think that going through this transition has helped me to be a better storyteller and that I bring a more narrative-style to the subject matter.- Scott Masterson, director – I Live Here

Courtesy Blueberry Fields Photography

So, here we are. The final Portsmouth Short Film Night of 2013 is upon us and we are super excited about what we have lined up.  Portsmouth Short Film Night will take place at White Heron Tea & Coffee on Friday, December 13 at 7pm.  White Heron will be open for people to grab a drink and some food from 6pm, so make sure you get there early and bag yourself the best seat in the house.

Portsmouth Short Film Night is an event for independent filmmakers to screen and discuss their work and for cinema lovers to get a front-row seat to emerging and established talent. We’ve been running this event since the beginning of the year and we’ve been delighted with the both the response from filmmakers and movie goers – so what are you

photo credit: John Steven Fernandez (http://www.flickr.com/photos/stevenfernandez/4889766477/) cc (http://creativecommons.org/licenses/by/2.0/)

waiting for? If you haven’t checked us out before then here’s your chance.

PSFN is brought to you by Film Unbound, a media production company producing documentary, fiction and a variety of services including event coverage, product demonstrations and PromoDocs for educational institutions, businesses, charitable organisations and individuals. Find out more about Film Unbound on facebook and twitter.

We have an exciting series of screenings lined up for you tomorrow night, and we wanted to give you a little preview of what’s in store. We asked some of the filmmakers a few questions to gain a little insight into their thoughts on filmmaking, and here’s what they said:

PSFN: Why do you make short films? What can a short do that a feature can’t?

New England Blood

Dylan Ladds and Ryan Scura (New England Blood):

We make short films because we love making videos and short films are a great way to experiment with different ideas, techniques, and methods of storytelling. You can invest months and months into creating a three minute video, but you can also loosen up and make a short film in a day to keep yourself fresh and try something new. It is exciting to see the incredible variety of short films being created today. For our situation in particular, we are working on a larger feature film about New Hampshire surfers and making short films helps us familiarize ourselves with all of our footage, helps us keep people interested in our project, and lets us experiment with techniques we are using for our feature.

Off to the Races

Megan Lovallo (Off to the Races):

I make short films because I believe they allow filmmakers to to focus on the bare essentials of a story. It allows the filmmaker to hone the craft and make mistakes, learn what works well and what rules can be broken. Short films are accessible in so many ways–easier most of the time to make than features because of time and budget, and they are also able to portray a simple story or idea in a cohesive way.

Jim Sass (Prince of Pixel Tower):

One of the best aspects of making short films is the challenge of telling a story and connecting with an audience in a limited amount of time. Shorts have the advantage over features of being more shareable, especially thanks to mobile devices so it’s a very exciting time for short films.

This is Ben

Pam Severns (This is Ben):

I mostly create short films because most of my current ideas are situation- or character-based comedy and often come in the form of sketches. I have a few ideas for feature length films, but I think I’m just getting my feet wet making sketch videos and shorts for now. I’d rather not risk compromising the quality of a longer film due to lack of experience or budget and stick to doing the best work I can, even if it’s only 30 seconds long. And shorts are really great if you’re working with a puppet that doesn’t speak!

PSFN: Does the changing way we consume media affect your filmmaking and distribution? How?

Dylan Ladds and Ryan Scura  (New England Blood):

The way we all consume online media has certainly influenced the way we make our videos. It has pushed us to be more concise with our videos; we try to keep everything around 3 minutes. It also has pushed us to be more active on social media, which has encouraged us to publish more photographs and produce more videos. While short attention spans can be frustrating, it is also helpful to push ourselves to make shorter videos because it really makes you evaluate what is essential to your story and why you are telling it the way you are. In terms of distribution, so far, we have published all of our videos online for free. We never expected to be making money from this project and, right now, we are just thankful that it is so easy to make our videos available to such a large audience.

Megan Lovallo (Off to the Races):

I wouldn’t say the way we consume media affects the way I make a film or how I approach a story, but I do think the distribution factor does. It’s never been easier to be a filmmaker in America today; the beauty is that anyone and everyone can make a film and put it online. But that’s also its downfall–there are so many ways to get your piece out there and there is just so much content, so it’s easy to get lost in the shuffle.

Prince of Pixel Tower

Jim Sass (Prince of Pixel Tower):

There are so many avenues for media on the Internet; even creating a YouTube video is different than creating a Vimeo video. The emphasis on shorter and stickier content can have a big effect, as well.

Pam Severns (This is Ben):

Of course! Everything is digital now, and anyone can share their work on any number of video sites. Which is both good and bad. It makes my work more accessible and I’m able to share it with a wider audience, potential producers, collaborators, or employers. But there’s more to compete with which makes it hard to stand out.

There will be more of a chance to hear from the filmmakers tomorrow night, when they will be on hand to answer your questions and listen to your comments. The screening starts at 7.30pm in the Strawbery Banke visitors’ center, so make sure you come early enough to grab some food from White Apron and a good seat. See you then!